Ernest Hemingway, in some of his letters, has said that he preferred to write different sorts of scenes in physically different ways. Specifically, that he'd hand-write descriptions of scenery and setting. He wanted his visuals to be flowing and purposeful -- it took longer to write and hand-writing it would allow for a sort of intentional flow to take shape. Meanwhile, he liked to write dialogue on a typewriter since he felt the movement of it more accurately mimicked how people talk (or, how he wanted his characters to talk) - quick, staccato, fast-as-can-be.
I wonder about this strategy and if there are ways to apply it to my writing, whether fiction or if it applies to TV. I think film and TV writing is a bit too mercenary a field to allow for this sort of time-consuming experimentation (not to mention, the scene-description cannot be flowing but demands to be as tight as possible). But it would be a great experiment to try in an updated respect. Will have to brainstorm how that'd work...